. Certain characteristics of Asian arts (e.g., their subject matter, styles, color schemes, or designs) are often incorporated into art works, daily-use objects, and even commercial products of our own time. In art history, we know that many of nineteenth-century French impressionist and post-impressionist artists adapted the look of Japanese woodblock prints as a way to give their paintings a unique and exotic touch. The American architect Frank Lloyd Wright (1867–1959) often found inspiration in the simple rooflines of Japanese architecture. Eighteenth-century European aristocrats competed to decorate their private gardens in a manner they believed to be Chinese in style. Instead of looking back to find such examples, this assignment requires you to consider our own material culture and time. You may find your subject matter in contemporary art (post-1950s), book illustrations, commercial advertisements, consumer goods (from Target or Wal-Mart), and even the streets of Riverside or Los Angeles (especially Little Tokyo). Your paper should provide recognizable reproductions of the subjects you have chosen; one contemporary example and its source image from Asian art and culture. (Under no circumstances should you provide images torn out of any type of printed source.) Then, explain how formal similarities between both pieces engender meanings, functions, and values in the contemporary piece. Advance a hypothesis to anchor your interpretation. Starting from a formal analysis of each piece, the essay must provide answers to the questions such as, but not exclusively, “Why does the contemporary work you have chosen target a specific model (and/or style, artist) from Asia?” “Is there any sense of cultural exoticism at play?” “If any changes or modifications have been made from the Asian antecedent, what might be the intentions and motivations behind them?” [4–5 pages of text: 12 point font; Times New Roman; double spaced; No Cover Page!] You must be choose a image from the class( the picture has the smile face),
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