Who is Funnier: Gregory Popovich vs. Charles Chaplin?
In this essay, a short introduction about Gregory Popovich and Charles Spencer Chaplin will be made. Including the major literary devices that each employs in their work. Followed by locating different sources that touch on the works of each humorist.analysis of the elements of humour for each humorist. Comparison between the productions of both. Conclusion about who of the two is funnier.
This essay compares two famous humorists: Charles Spencer Chaplin and Gregory Popovich with the aim of establishing who among them is funnier. Chaplin has earned great fame in the movie industry for being a very comic actor. Through his comic creativity, Chaplin is one of the greatest film producers who incorporates a great deal of satire in his works. Chaplin’s humour is seen in different works, including the tramp character that he usually executes (Hansmeyer 3).The laughter that rocks audiences as they watch Chaplin in his funny attire is compared to the amusement that fans experience as they watch Gregory Popovich, the expert cat trainer who teaches people how to turn cats into calm pets (Sehlinger et al. 234).
Now deceased, McKinnell was a contributing editor at Maclean’s, a Canadian-based magazine. In this particular article, McKinnell muses at how an animal that is regarded ordinary and of little use, such as the cat, can be used to turn a person into a superstar. In her article, McKinnell dwells on a new book prepared by Popovich; and illustrates the creativity and genius mind possessed by this comedian. Although McKinnell appears to do nothing more than summarizing the ideas of Popovich in the book You Can Train Your Cat, her quite recent article forms an important resource for analyzing the stylistic devices that Popovich employs in his work.
Savlov has worked as a reporter for The Austin Chronicle beginning from 1991. He covers the areas of pop culture, music, and film; and has received recognition by being rated as the best critic of film in 2011. Savlov is currently preparing a documentary and a factual manuscript on punk rock. In article published in The Austin Chronicle, Savlov explores a popular film by Popovich: The Voice of the Fabled American West. The article is intended for the general public as Savlov mentions that Popovich’s film is kid-friendly. By exploring the different characters in the film, Savlov attempts to show how hilarious Popovich’s productions are. However, the article appears intent on persuading the reader that any flaws in Popovich’s work should be disregarded. Even so, this very recent article that touches on Popovich’s comic skills is relevant to the comparative essay being written in this assignment as it provides an example of a film in which Popovich’s skills are applied.
Shone has served as a film critic with the Sunday Times, and has authored a book titled Blockbuster: How Hollywood Learned to Stop Worrying and Love the Summer. This great author and film critic is now a lecturer at the New York University. About Chaplin, Shone describes him as an actor who is very touchy about class; yet highly sentimental. The purpose of Shone’s article is to present the unique features in Chaplin’s works that distinguish him from other popular comedians. The article is very informative especially for a person who is not familiar with Chaplin’s scripts. this recent publication by the film critic is neutral in that it outlines the manner in which Chaplin’s film deviate from early cinema productions.
Now deceased, McKinnell was a contributing editor at Maclean’s, a Canadian-based magazine. In this particular article, McKinnell muses at how an animal that is regarded ordinary and of little use, such as the cat, can be used to turn a person into a superstar. In her article, McKinnell dwells on a new book prepared by Popovich; and illustrates the creativity and genius mind possessed by this comedian. Although McKinnell appears to do nothing more than summarizing the ideas of Popovich in the book You Can Train Your Cat, her quite recent article forms an important resource for analyzing the stylistic devices that Popovich employs in his work.

Dear Christy,
I think that comparing these two humourists is a fine topic for your essay. However, what you have here is not yet an essay—rather, it is a paragraph about what you want to write followed by annotations of your sources. You need to follow traditional essay format, having an intro with a hook and a thesis and body paragraphs that seek to back up your thesis. Right now, your body paragraphs are not helping to prove any point(s). They are just telling us about your research. I think we need to sit down together before you turn in your final draft to talk about how to revise this. Can you please email me so that we can arrange a time for you to come to my office hours? Thanks. PS: I will still give you credit for having turned this in on time.
Best,
Jessica
Works cited
Hansmeyer, Christian. Charlie Chaplin’s Techniques for the Creation of Comic Effect in His Films.München: GRIN Verlag GmbH, 2007. Print.
McKinnell, Julia. “He’ll teach you how to train your cat”. Maclean’s 122.43(2009): 59. Print.
Savlov, Marc. Austin film festival: Popovich and the Voice of the Fabled American West. October 27, 2014. Web.<< http://www.austinchronicle.com/daily/screens/2014-10-27/austin-film-festival-popovich-and-the-voice-of-the-fabled-american-west/>>
Sehlinger, Bob, Stevens, Muriel.,Bachleda, Lynne and Mohney, Chris. The unofficial guide to Las Vegas 2008.John Wiley & Sons, 2007. Print.
Shone, Tom.“Tears of a clown”.New Statesman 143.5207(2014): 46-47. Print.

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